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	<title>C.A.S.P.E.R. &#187; Appearances</title>
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	<description>Center for the Archeological Studies of Presence Through Ethnographic Resonance</description>
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		<title>GHost Requests The Pleasure Of Your Company At&#8230;Hostings 7:  Presence &#8211; Manifesting Ghosts</title>
		<link>https://ghostexcavation.com/archives/913</link>
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		<pubDate>Fri, 03 Feb 2012 21:14:55 +0000</pubDate>
		<dc:creator>Mary</dc:creator>
				<category><![CDATA[Appearances]]></category>
		<category><![CDATA[Conferences]]></category>

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		<description><![CDATA[John Sabol to give a presentation at The University of London, England: Hostings 7: Presence – Manifesting Ghosts Date: March 14th  2012, 6.30pm – 9.00pm An evening of interdisciplinary talks and presentations exploring the desire to materialise what is absent. Venue: The Court Room, First Floor,  Senate House South Block, University of London, WC1E 7HU [...]]]></description>
			<content:encoded><![CDATA[<p><em><strong>John Sabol to give a presentation at The University of London, England: </strong></em><a href="http://ghostexcavation.com/wp-content/uploads/2012/02/image001.jpg"><img class="alignleft size-thumbnail wp-image-914" title="image001" src="http://ghostexcavation.com/wp-content/uploads/2012/02/image001-150x150.jpg" alt="" width="150" height="150" /></a></p>
<h3><span style="text-decoration: underline;"><strong>Hostings 7: Presence – Manifesting Ghosts</strong></span></h3>
<p><strong>Date: March 14th  2012, 6.30pm – 9.00pm</strong><strong> </strong></p>
<p>An evening of interdisciplinary talks and presentations exploring the desire to materialise what is absent.</p>
<p>Venue: The Court Room, First Floor,  <a href="http://co111w.col111.mail.live.com/mail/#http%3a//maps.google.co.uk/maps%3fclient%3dsa">Senate House</a> South Block, University of London, WC1E 7HU</p>
<p>(An apparition known as &#8216;The Blue Lady&#8217; has been reported to haunt the adjoining Senate room)</p>
<h5><em><span style="text-decoration: underline;"><strong>Presenters:</strong></span></em></h5>
<h5><strong>Hollington &amp; Kyprianou</strong>, <em>“Technology &amp; the Uncanny”</em></h5>
<h5><strong>Jack Hunter</strong>, <em>“Expressions of Spirithood”</em></h5>
<h5><strong>John Sabol</strong>, <em>“The Forgotten Soldier: Manifestations of the Continuing Presence of Colonel William Holmes (1862-2011)”</em></h5>
<h5><em> </em></h5>
<h5><strong>This is a free event but places are limited so please email: <a href="mailto:ghost.hostings@gmail.com">ghost.hostings@gmail.com</a> to reserve your seats</strong></h5>
<h5><strong> </strong></h5>
<h5><strong>More information: <a href="http://www.host-a-ghost.blogspot.com/" target="_blank">www.host-a-ghost.blogspot.com</a></strong></h5>
<h5><strong> </strong></h5>
<h5>You can also reserve places for<em> “Hostings 6: Absence – Haunted Landscapes”- </em>Sharon Kivland, Mark Fisher &amp; Andy Sharp, Laura Joyce and Hayley Lock &#8211; 29<sup>th</sup> February, 6.30pm – 9.00pm. Venue as above.</h5>
<p><span style="text-decoration: underline;"><em><strong>PROGRAMME FOR HOSTINGS 7</strong></em></span></p>
<p><strong>Hollington &amp; Kyprianou -<em>Technology &amp; the Uncanny, LCC &#8211; EVA, London</em></strong></p>
<p>Far  from empirical science and technological progress dampening the  enthusiasm for magical or spiritual readings, the use and improvement of  technology trades on the same sense of awe and the uncanny previously  provided by mystical phenomena. The symbiotic relationship between  technology and the uncanny is not only one of a shared notion of the  sublime, but also one of appropriation.</p>
<p>This  paper will discuss the relationship between technology and the uncanny  through historical and contemporary examples as well as referencing our  own collaborative artist practice.</p>
<p>Hollington and Kyprianou are London based artists who have been collaborating for over ten years.</p>
<p>Their  work investigates how competing representations of science and politics  shape the boundaries of debate and the locus of the rational. Their  materials are drawn from archives of primary objects, scenarios from  film and mainstream culture, oral history, interviews and hearsay  to create new narrative spaces that are simultaneously funny and  un-nerving.  Their work as been shown widely in the UK including Tate  Modern and ICA London and internationally at The 51st Venice Biennale,  as well as in Europe, North and South America and Australia.</p>
<p>Their latest project, a time travel murder mystery can be seen here:</p>
<p><a href="http://www.electronicsunset.org/node/1813" target="_blank">http://www.electronicsunset.org/node/1813</a></p>
<p>****************************************************************************************</p>
<p><strong>Jack Hunter</strong> &#8211; <strong><em>Expressions of Spirithood</em></strong></p>
<p>The  body is the primary tool for the expression of personality. It is our  interface with the physical world and our everyday means of  communicating with each other, both verbally and non-verbally. The way  in which we use our bodies, therefore, is of key importance to the way  we are perceived as individual personalities. In trance mediumship, and  spirit possession, practices the human body is used for the expression  of multiple personalities and non-physical entities. This paper will  explore the differing ways in which the human body is utilised as a  means for the expression of spirits in a variety of different cultural  contexts, from the ecstatic dancing of Afro-Brazilian Candomble mediums  to the relatively static demonstrations of Euro-American trance mediums.  It will explore the different methods employed by mediums to signify  the presence of spirits and will examine the role of performance in  making the spirit world tangible. These techniques will be contrasted  with the methods of contemporary ghost hunters (i.e. the use of  electronic equipment to infer the presence of spirits), and will address  the similarities and differences in the ways in which the presence of  spirits is recognised during trance demonstrations and modern ghost  hunts. All of this will be presented with the aim of furthering our  understanding of the nature of spirits and their culturally specified  modes of expression in the physical world.</p>
<p>Jack  Hunter is a PhD student in Social Anthropology at the University of  Bristol, UK. His research looks at contemporary trance mediumship in  Bristol, and focuses on themes of personhood, personality, altered  states of consciousness and anomalous experience. He is the founder and  editor of &#8220;Paranthropology: Journal of Anthropological Approaches to the  Paranormal.” In 2010 he received the Eileen J. Garrett scholarship from  the Parapsychology Foundation, and in 2011 was awarded the Gertrude  Schmeidler award by the Parapsychological Association.</p>
<p><a href="http://paranthropology.weebly.com/index.html" target="_blank">http://paranthropology.weebly.com/index.html</a></p>
<p>************************************************************************************</p>
<p><strong>John Sabol &#8211; <em>The Forgotten Soldier: Manifestations of the Continuing Presence of Colonel William Holmes (1862-2011)</em></strong></p>
<p>What  occurs at a location perceived to be haunted, who continues to manifest  years, even centuries, after physical death and why? Avery Gordon, in  her book Ghostly Matters (1996), states that the ghost is a social  figure, and one who manifests as one form by which something lost or  forgotten makes itself known. A haunting, according to Gordon, is a very  particular way of knowing what has happened and what continues..  So  much has already been lost, forgotten or destroyed in the accelerated  pace of contemporary life and technological advancement. Yet, it is this  same technology that may write that forgotten history and tell, with  voices echoing from the past, individual ghost stories.</p>
<p>The  battle of Antietam, September 17th 1862, was the single bloodiest day  of combat in American History. Colonel William Holmes of the 2nd Georgia  became the last soldier to die in combat here at Burnside Bridge.  Holmes&#8217; story had become lost to history and his burial site near the  bridge was undiscovered until our “ghost excavations” there in  2010/2011. Through contextual scenarios, enacted by our female  investigators and RT-EVP audio recordings, the postscript to his death  emerges as auditory manifestations of a plea to “go home” to Georgia and  be properly buried. His voiced responses haunt us still today, 150  years after his remains were lost to history.</p>
<p>John  Sabol is an archaeologist, cultural anthropologist, actor, and “ghost  excavator”. He has a M.A. in Anthropology/archaeology (University of  Tennessee), and a B.A. in Sociology/Anthropology (Bloomsburg  University). As an archaeologist, he has worked on excavations and site  surveys in England, Mexico, and at various sites in the United States.   His anthropological fieldwork includes the studies of “ghosts” and  native religious beliefs in the afterlife among various groups in  Mexico. His acting career includes “ghosting” performances of various  characters and scenarios in more than 35 movies, TV shows, and  documentaries. He has conducted “ghost excavations” (an  archaeological-ethnographic-theatrical approach embodied in the P.O.P.  Theory) in the USA and Europe. He has appeared in the A&amp;E TV series,  Paranormal State as an investigative consultant. Publications include,  Ghost Excavator (2007), Ghost Culture (2007), Digging Up Ghosts (2011),  and the Haunted Theatre (2011).</p>
<p><a href="http://www.ghostexcavation.com/" target="_blank">www.ghostexcavation.com</a></p>
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