The following articles were authored by Mary

The Contemporary Landscape of Ruin: The “Death of Past Presence”

In a haunting, we always focus on the ‘materialization’ (in some sensory form) of past presence.  However, the fact that the contemporary approach of ghost research (as a ‘hunt’ for anomalies using tech sweeps) also produces its own ruined materialities, and its own marginalized “contemporary pasts’, is less spoken about (if at all!).  The globalization of travel, and the proliferation of ghost tourism tour packages and investigations (see G.H.I.), increases this “ruination” of contemporary haunted locations!

Because of this, the processes of “destruction” (the submersion of the historical past presence) are intensified, although largely overlooked by ghost hunters, tour operators, and even “professional” investigators!  The outcome is a ruined landscape of historically haunted locations creating a phantom world of modern residual haunting.  If you don’t resonate, you “create” new layers of “past” (contemporary) presence!

My research has always focused on eliminating these additional, accumulative layers at haunted locations by focusing on:

  • The materiality of cultural memory, and resonate with it;
  • The significance of cultural scenarios and actively participate in them; and,
  • Developing and using theoretical approaches to fieldwork (E.O.C., P.O.P.) as a means for re-affirming the cultural element and its significance, at haunted locations.

The contemporary presence of tech devices blurs established cultural categories.  As a result, at haunted locations, the contemporary presence of tech devices, as the sole “instrument” of unearthing and documenting past material presence at haunted locations becomes a manner that is out of place and out of time!  We must concern ourselves with how these tech processes of “othering” reflect contemporary (not historic) preferences.  We must see how the “ghost hunt”, and its economic benefits to the “few”, alters the past in the form of cultural and historical presence!

The crucial issue in ghost research is the past cultural event, not the measuring of an anomaly.  We must mediate that past presence by “remembering” it through excavation embodiments.  Ghost excavation is another method of recalling that memory.  It is an implicit act of remembering embedded in our bodily routines (not the measurements of the tech devices) and ways of mediating the past.  A “ghost excavation” reveals the gaps in “ghost hunting” field practices!  The alternative to creating new residual haunting at an historical site (by “ghost hunting”) is to use the alternative, but resonating, modes of cultural and social engagement that are found in a “ghost excavation”!

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Media

Paranormal News – Do You Believe?  “Haunting The Past” by, Jeff Behnke, November 3, 2012 — (“…John Sabol Jr, in his writings, believes the trick is to ‘participate’ in the past, almost as if you are a ghost from the future haunting the past by performing a ritual of sorts to get in contact with it and learn about their context…)

I Hate/Love My City (Atlanta, GA), “Fandom Friday:  July Dragon*Con Guest Update”, by wOOt fan cee_m, July 1, 2011 — (“...Authors…John Sabol – Archaeologist, Cultural Anthropologist, and author, John Sabol is known as the “Ghost Excavator”. He is the author of 12 books on the paranormal, and is a professional actor.)

Cleveland Paranormal Examiner (Cleveland, OH), “Summer Ghost Investigation Fun” by Brian Parsons, May 22, 2011 —   www.examiner.com/paranormal-in-cleveland/summer-ghost-investigation-fun (“…The Ghost Excavation of Madison Seminary” with special guest John Sabol….”)

Examiner.com (Haunted Places Examiner), “At The Shanley, Ghosts Check In But Never Check Out” by Sharon K. Grossman, June 8, 2010 — http://www.examiner.com/haunted-places-in-national/at-the-shanley-hotel-ghosts-check-but-never-check-out (“…On this visit, the team experimented with Paranormal Investigator John Sabol’s P.O.P. Method in which props are used to recreate a timeframe in history. They threw a party of the era (1944), dressed in period clothing, and invited all of the spirits to attend as if they were guests in the hotel…”)

ParaNexus Blog – From the Desk of Brian Parsons, “The Power of Belief in Paranormal Investigation” by Brian Parsons on August 22, 2010 — http://www.paranexus.org/index.php?action=blog;bact=memberart;member=465;blogid=13;article=99;err=0;brr=0;comment=0;tag=0;where=Member_Article (“Today I was a speaker at the second annual Ohio Paranormal Convention here in Dayton alongside John Sabol, the Ghost Excavator, and many time guest of the ParaNexus Universe. I noticed a common theme this year at the convention that was touched by only a few…”)

ParaNexus Blog – From the Desk of Brian Parsons, “Are We Ruining Ghost Hunting Sites?” by Brian Parsons, February 20, 2010 — http://paranexus.org/index.php?action=blog&bact=memberart&member=465&blogid=13&article=63&where=Member_Article (“…I’ve been fortunate to listen to actor/archaeologist/cultural anthropologist John Sabol speak earlier this year at the Ohio Paranormal Convention in Dayton, Ohio…”)

Pittsburgh Tribune-Review (Pittsburgh, PA) , “Ghost Hunters Go to Great Lengths In Search of the Paranormal” by Robin Acton, October 26, 2008 -  http://www.pittsburghlive.com/x/pittsburghtrib/news/s_594201.html (“…Several miles from where “Most Haunted Live:  Gettysburg” were filming with hundreds of spectators gathered on the surrounding sidewalks, Sabol and his team of investigators worked for more than two hours in thick trees where the men of Company G of the 15th Alabama regiment met death at the hands of Union soldiers….”)

The Progress (Clearfield, Curwensville, Philipsburg, and Moshannon Valley, PA), Paranormal Research Society Helps People With Hauntings” by  Jeff Corcino, October 27, 2007 — http://www.theprogressnews.com/default.asp?read=9602 (Article:  “…Research into paranormal phenomenon is becoming a burgeoning activity with more and more people using scientific concepts and ideas in their search for ghosts and spirits…”)

GhostVillage.com, “Homan House, Gettysburg, Pennsylvania:  A Preliminary Reportby John Sabol, October 20, 2006 http://www.ghostvillage.com/resources/2006/features_10202006.shtml (“…In a previous article, I had talked about the distinction between an emic (haunting context) perspective, and the etic analysis (investigator’s) of anomalous sensory manifestations at haunted locations…“)

GhostVillage.com, “Natural Selection and the Involution of the Gettysburg Ghosts” by John Sabol, February 8, 2006 — http://www.ghostvillage.com/resources/2006/features_02282006.shtml (“…This article proposes that ghostly phenomena occurs at a location due to the existence of activity and/or event fields, including rhythmic behavioral movements, (such as walking, reading, and gazing) that are repeating over and over again in a given area…”)

GhostVillage.com, “Ethnoarchaeoghostology:  A Humanistic-Scientific Approach to the Study of Haunt Phenomena” by John Sabol, June 19, 2006 — http://www.ghostvillage.com/resources/2006/features_06192006.shtml (“…Hauntings are past integrated systems of contextual sensory assemblages. They are not isolated sense “attributes,” be they visual (orb”, mists, tracers, ectoplasm, shadow people, etc.), auditory (footsteps, EVP recordings, etc.), tactile sensations or olfactory scents…”)

GhostVillage.com,“Theatre, Seance, and the Ghost Script:  Performances at Haunted Locations” by John Sabol, May 5, 2006 — http://www.ghostvillage.com/resources/2006/features_05052006.shtml (“…Theatre and theatrical productions contain the same ritual resonating elements as a séance: Both are social events between a performer and a “targeted” audience. They usually occur within the context of a darkened location in a specific area…”)

 

The C.A.S.P.E.R. Approach

The measurement of space should not be mistaken for the nature of space.  Space must be measured archaeologically, by layers.  At haunted sites, these layers consist of cultural uncertainties that are mixes of historical periods.  Thus, “haunted space” must be sensed and investigated “ethnographically”, not physically measured or perceived subjectively!  This “sense” is the understanding of a “ghost culture”, a fragmented version of what once was.  This “ghost culture” is a past performance, not a “paranormal” event!

Time is another consideration at haunted locations.  It is not linear!  It is also archaeological.  There are entanglements of pasts and the present with absences of historic periods and different socio-cultural behaviors in the mix.  The past is not past!  It is not simply gone!  It percolates.  It unfolds.  We view this today as a “haunting”.  This is an archaeological metaphysics!!

In “swapping” properties (absence/presence; past/present) with linear measurements through readings on technological devices, the actions of the past shift from one “entity” (past human cultural behavior) to another (a physical “anomaly”).  What are “ghost hunters” hunting, anyway?  Is it an anomaly (a usually phantom presence registered as a “deviant” measurement), or a “ghost” (a dead human cultural being)?  If it is the former, shouldn’t we change the concept to “anomaly hunting”?  If it is the latter, it should be called a “ghost excavation”, not a “hunt”!

I “unearth” ghosts by historical and socio-cultural layers.  I do not “hunt”, by focusing on recording and measuring anomalies in physical, horizontal space!  In a “ghost excavation”, I am changing the direction of ghost research from a horizontal spatial frame to a vertical one, one that is symmetrical and unfolding!  This alters the perception of “haunted space”!  I am NOT “throwing-out” the technology with this direction shift!

But, so long as ghost research is stuck on “tech toys”, field investigators are haunted by physical science scenographies that consist of measuring anomalies in horizontal haunted contemporary space!  This will not help us to understand the cultural behavior that lies beneath the haunting.  A new philosophy of data is needed which involves other modes of engaging the presence of material cultural remains in haunted space.  I am interested in contextual cultural manifestations NOT past presence!

The actions of contextual cultural behavior, not our instruments, combined with a different notion of time (one that percolates) and space (symmetrical and layered), calls for modes of investigative engagement which can manifest some of the complexity, multi-dimensional nature, and cultural uncertainties in haunted space.  A “ghost excavation” unearths the multi—cultural ensemble that is the real material world of a haunted site!

Research Philosophy

Fieldwork at haunted locations, by necessity, dwells in uncertain risky space, no matter how well-documented and traveled-to the location has become. The fact that many of these sites have become “prime real estate” for “ghost hunting” and ghost tourism, suggests that we need to return to these locations and “assess the damage”. We must question the methods, practices, and procedures used in most “ghost hunts”. Are they proper, adequate, contextual, controlled, and process that is repeated? Because most are not. We must study ourselves (as well) as we attempt, in our own way, to investigate those ghosts that continue to haunt us.

Fieldwork should not be reduced to a simple tool or an electronic devise(s) or the continuing modification of such devices to improve measuring and recording little or we must not use technology as a method that requires no theorization necessary in the field.

The proliferation of these electronic tools on paranormal reality TV, their mention on Internet websites and on Facebook and Twitter and their mediation on YouTube videos, points to the false assumption of unquestioned assumptions about science and the scientific method in a ghost research as simply a vehicle that requires using specific tech tools. If ghost research is to be seriously considered (by other than its practitioners), then rigorous thinking about the theory and its application in fieldwork must be initiated and followed through in the field.

Too much emphasis is placed on fieldwork without theory. Theory is considered too boring for paranormal reality TV. The flashing instruments, especially in the dark, are “flashy” technology and the real “stars in these shows. In the end, an investigation becomes largely a hunt for the anomaly without defining the subject matter, or how to interpret what (and “who”) is being measured and recorded at these haunted locations.

There is “value” in thinking and theorizing about interactive past presence! It’s T.I.M.E. (Theoretical Immersive Methodology for Excavations) for a change!

There is also “peril” in advocating this change, apart from those who refuse to alter their methods. After all, fieldwork is an enacted practice, though somewhat benign in “ghost hunting” (the “monitored” space” watch and wait vigil). It should be an action and activity and not an idea. The “noise” of measuring and recording haunted space (including the investigative reactions) makes good paranormal TV viewing.

Our ghost research, however is different, an alternative perspective to investigating the validity of interactive past presence. Ours is performance-based. It is never “boring”, despite the theory and the field methodology that incorporates it!

“Fieldwork is a form of inquiry in which
one is immersed personally in the ongoing social activities
…characterized by personal involvement.”

- Harry Wolcott, The Art of Fieldwork

Our personal involvements enacting these cultural scenarios make great “non-paranormal” TV viewing! In our fieldwork called “ghost excavations”, we engage not disengage. We don’t use tech devices to do our work. We are the “tools” of a “ghost excavation”. In our “ghost excavations”, we apply a particular theoretical methodology (see Theory and Methodology). We don’t wait for something to happen, nor do we command and demand. We resonate!

With such thinking and theorizing, it is possible to unearth and awaken an alternative paradigm to the current “paranormal” technopoly of “ghost hunting”. This possible alternative vision is experimental “ghost excavations”.